This body of work started when I filled a square tile with a grid of circles before breaking it. I, then, drew stripes on each of the shards and glazed them. The density of the image appealed to me, but I thought that a viewer might appreciate having a clue to how it was made. On the next tile, I left a small patch unglazed and unfired. The contrast between two areas suggested the difference between a musical score and what you hear when it is played.
The work of Scores and Performances is available at Jeffrey Spahn Gallery.